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              History of the castle 
               
                
               
            - History 2  
            1595. 
              Antoine d' Estrées (father of Gabrielle, mistress of the 
              king Henri IV), acquires of Pierrefonds for 18 000 ducats.  
            1617. 
              Within the framework of its policy of lowering of large feudal, 
              Richelieu, Minister for the War, make the head office of Pierrefonds 
              with 3 000 men, 500 horses and 4 pieces of artillery. In less than 
              one week, it crushes all the advanced works and makes collapse the 
              principal towers.  
               
              XVIIIe century. Given up, the castle 
              attracts some rare visitors. In 1798, it is sold like national good 
              for 8100 Frs.  
               
              1810. Napoleon Ier only repurchases 
              Pierrefonds for 2 950 Frs.  
               
              1832. Louis-Philippe gives a reception 
              at the time of the marriage of his daughter with Léopold 
              Ier, king of the Belgians.  
               
              1848. Pierrefonds is registered on 
              the list of the Historic buildings. 
               
              1850. The Prince-president, future 
              Napoleon III, Pierrefonds visit. A few years later, it will charge 
              Viollet-the-Duke of the restoration.  
               
              1858. Work starts.  
               
               About 
              1861. The preliminary drafts are modified. 
              It is not only any more question of a "picturesque ruin", 
              but of an imperial residence. Napoleon III is with the ridge of 
              his glory (Nice and Savoy was attached to France, the boring of 
              Suez Canal advances. -). The king of Prussia visits Pierrefonds, 
              which will undoubtedly influence it forty years later for the restoration 
              of the castle of Haut-Koenigsbourg in Alsace. Louis II of Bavaria 
              will be inspired him also in the construction industry by the castle 
              of Neuschwanstein in 1869. Viollet-the-duke then gives free course 
              to his gothico-romantic inspiration. Its imagination is unbounded: 
              does not make it produce for Napoleon III a coach of railroad of 
              style Gothic as well as immense room a 50 m long intended to receive 
              its collection of armours. The vault is a pure creation of the architect, 
              interpreting the dashes freely - Gothic style and applying it to 
              the pieces of furniture, with decoration.  
               
              1869. The statue with horse of Louis 
              of Orleans by Frémiet (sculptor of the archangel which dominates 
              the Mount-Saint-Michel) is installation in the large court.  
               
              1870. The war stops the restoration 
              abruptly, but the main part of external work envisaged are finished. 
              It remains to carry out the fences (doors, windows, glaziery), the 
              roughs-casting, the cover of the terraces and the pavements.  
               
              1879. Viollet-the-duke dies. The end 
              of the restorations is hard. One regards them as finished in 1884. 
              The collections of armours are transferred in Paris with the museum 
              from the Army. The castle remains deserted and its unfinished decoration 
              leaves to a strange impression of theatre without actors nor spectators. 
              It will cross two world wars without suffering any damage, symbol 
              of the uselessness of its defenses of another age. The national 
              Case of the historic buildings and the sites has now charges of 
              it the conservation and the development of Pierrefonds. With the 
              favour of cultural tourism interested by the Middle Ages, it tries 
              to give life to this castle, too nine to appear old but too inspired 
              to be regarded as forgery.  
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