History of the castle
In
XVe century, the dukes of Brittany and Burgundy, quasi-sovereigns,
were the feudal lords most powerful of France and Nantes, located
at the lower part of the cathedral on a punt forms relatively low
right bank of the Loire which formerly bathed its walls, is one
of most significant French fortresses the. Vestiges of an old castle
built about 1207 per Guy de Thouars, increased and completed in
XIIIe century by Pierre de Dreux and Jean 1st the Russet-red one,
are always existing. This "castle of the new tower" that
its name distinguishes from the fortifications even older of the
Gallo-Roman city of the North-West, was rebuilt in XIVe century
by Jean IV Pennies his form current it dates from the time of great
restoration undertaken by the duke François II about 1466
and continued by Anne of Brittany. Later, between 1582 and 1592,
the external fortifications were modified by the duke of Mercoeur.
In this ducal castle
par excellence Jean IV in 1399 died and was born Anne, girl of François
II and Marguerite de Foix in 1477. Intended to become duchess of
Brittany, it was also twice queen of France by her marriages with
Charles VIII (1491) then with Louis XII (1499). It is here that
in 1532 the king of France, François Ier, announced the union
of the duchy of Brittany with the crown of France. Among the many
events whose the castle was pilot, most significant was perhaps
the declaration of the edict of Nantes per Henri IV, in 1598.
The building, whose
courtines remarkably represent the great ducal program of rebuilding
undertaken in XVe century, is imposing and complex. The horseshoe
turns are particularly interesting, just as the loopholes with gun
which mark the birth of an effective artillery and the machicolations
supported by a typically Breton corbelling. At the interior, the
court
is dominated by the large home from which the principal apartment
of the first stage is accessible by an external staircase. Although
entirely not having never been completed, this home is an excellent
example of almost royal palate of the end of XVe century, with large
rooms occupying several stages, of many private parts and, symbol
of the Rebirth, a sumptuous gallery at the top of the staircase
out of oeuvre located at the angle. The framings of windows and
doors as well as the attic windows are out of tender limestone of
white color, the tuffeau of the Loire Valley, adopted to supplement
the granite, used like building material. |